Views: 1 Author: Site Editor Publish Time: 2026-01-19 Origin: Site
When the country's rivers and lakes meet Bashu customs, traditional heritage and modern stage technology dialogue in light and shadow, the 2026 Sichuan Satellite TV 'Flowers Blooming in the World - National Rhythm' New Year's Concert once again presents a cultural feast that spans ancient and modern times. As a classic IP that has accompanied the audience to bid farewell to the old and welcome the new since 2016, 'Flowers Blooming in the World' has always adhered to the original creative intention of 'Shun accepts hundreds of rivers'. For more than ten years, the program has continuously invited Sichuan artists such as Li Yuchun and GAI Zhou Yan to return to their hometown stage, allowing the emotional clues and cultural heritage of 'going home' to continue on the stage.

This year, with the theme of 'Rebirth of All Things', the concert innovatively proposed the overall expression method of 'National Comics + National Rhythm', gathering seven national-level national comic IPs such as 'Chang'an 30,000 Miles' and 'Nezha', and using stage methods such as naked-eye 3D and holographic images to build a 'National Comics Metaverse' that interweaves virtuality and reality. In this context, the stage is no longer just a holding space for performances, but through the participation of dynamic art installations, the national style image is rewritten in a three-dimensional space.


This fantasy of national style that blends fiction and reality is embodied in the powerful 'National Comic Jianghu' on the stage of Sichuan rapper GAI. When singing 'Shanlan', six groups of laser devices converged and formed in the air. The beams of light stacked up like mountains and spread out to the audience, forming a dynamic light and shadow matrix with a sense of depth, as if Shanlan was slowly pouring into the scene.


The emotional highlight of the entire concert was achieved by Li Yuchun, who is also from Sichuan. As a core guest who has joined 'Blooming Flowers' for four consecutive years, she connected the emotional path of 'breakthrough, growth, return, and blessing' with four works. Among them, the stage presentation of 'Savage Growth' gradually pushed the atmosphere of the scene to a climax - along with the brisk and healing melody, the lights above the stage spread layer by layer, like a galaxy slowly lighting up.



The lighting design for this concert was performed by EYE Show Studio, led by teacher Lu Xiaowei. This team, which has worked with VDF micro-ceiling on many occasions to create many well-received lighting masterpieces, has continued its consistent high-level configuration this time. A total of 54 T20TC micro-suspension equipment are used above the stage. Each micro-suspension is suspended with a dynamic lighting group composed of ACME Strobe 3IP strobe lights and Aeco 5 moving head lights. The total weight of the entire set of lamps is 34.8KG, which is fully adapted to the load standard of 50KG-class micro-suspension. Under the control of the micro-hanging, the lamps can freely complete the lifting and position changes, gradually building a rhythmic dynamic matrix, allowing the lighting to be upgraded from a static display to a dynamic device that can deeply participate in the performance.
As the song progresses from the restrained presentation of the main verse, to the gradual expansion of emotions, and then to the full release of the chorus, the lighting and lifting systems continue to change closely with the rhythm of the music, forming a coherent spatial arrangement. At this time, lighting is no longer just a simple lighting tool, but also deeply involved in stage expression in the form of kinetic energy devices, perfectly echoing the overall aesthetics of 'National Comics + National Rhythm'.





In addition, when Ding Zhen and Chen Yao sang 'Moon Over the Hillside', the T20TC micro-hanging once again assumed the role of stage space shaping. The same lighting module slowly rose into the sky under the control of the micro-suspension system, turning into starlight suspended above the stage. It complemented the two people's clear and gentle singing, and concretely presented the poetic scene of a night walk in the mountains.



T20TC is a micro-lift product developed by the VDF team for three years. It can meet the lifting needs of lamps and LED display devices within 50 kg. It adopts a double hanging point and double conductor structure to separate and transmit power supply and control signals: one channel is used for 220V power supply, and the other channel supports DMX or RJ45 signals to facilitate connection with the stage system. Through the standard DMX512 control protocol, it can work together with the lighting console to achieve coordination between lighting changes and stage lifting movements.

T20TC
Load 50KG, lifting range 900CM
The fastest speed is 40CM/S
Control mode DMX-512 Total number of channels 4CH
Control interface 3-pin/5-pin XLR-input/output
Adaptable voltage AC90V-240V/50-60HZ
Output mode 220V_1300W/RJ45/DMX
Total power 1000W
E-STOP Emergency Brake/Loose Rope Alarm
LINK(Teamwork)/standard balance bar
On the stage of 'Blooming Flowers - National Rhythm', the micro-suspended system, as an important part of the stage lifting machinery, is always hidden behind the screen, but it participates in spatial organization and visual extension in many programs. From dynamic light and shadow matrices to digitally controlled light arrays, these technical devices jointly support a stage with national charm that combines cultural warmth and contemporary expression.

Statement: Some of the above materials are from the Internet