Jiangyunsheng Meet Kinetic Screen In Shenzhen

On July 19, 2025, Jiang Yunsheng's tour concert "Unspending" started singing in Shenzhen NUBOND AIR. The avant-garde venue's kinetic lighting system synchronized with tracks like Ambition and Phoenix, while drone fleets overhead formed Chinese characters from his lyrics—blending traditional motifs with cyberpunk aesthetics.

The Shenzhen leg of this tour holds profound significance as a live extension of the Unceasing album's vitality. On NUBOND AIR's dynamic stage—a nexus of energy and passion—Jiang Yunsheng transforms the album's accumulated introspection, raw power, and fervent emotion into an immersive live experience for every attendee.

For the stage design, the creative team pushed boundaries to transcend conventional Livehouse limitations. The screens were no longer static backdrops—they became dynamic, almost living entities. With fluid precision, the panels could:

• Overlap and cascade like folding paper art during Ink Dreams

• Glide laterally to reveal hidden performers in Shadow Play Interlude

• Pulse radially to the bassline of Cyber Tao, creating holographic depth

This kinetic architecture turned Jiang's lyrics into tangible landscapes—when he spat "I grind till the inkwell's dry" in Ambition, 12 screens contracted into a calligraphy brush's tip, dripping pixelated ink onto the stage.

To mirror the diverse musical styles of the Unceasing album, the dynamic stage screens became chameleonic canvases:

For rap anthems like "War Drum": Screens erupted in hyper-realistic flames that "burned" outward via projection mapping, synchronized to Jiang's rapid-fire delivery—each punchline triggering a fiery explosion across the 180° LED array.

During lyrical ballads such as "Paper Crane": The panels dissolved into ink-wash landscapes, with real-time generative art mimicking a brushstroke’s flow. At the song’s bridge, 3D-rendered cranes took flight from the screens into AR space (visible via venue app).

Genre-blurring transitions: When "Neon Monastery" shifted from trap verses to a guqin solo, the screens fractured like stained glass before reassembling into a digital temple—showcasing how "unceasing" isn’t persistence of form, but of essence.

This wasn’t just visual accompaniment—it was a real-time alchemy of sound and space, where every track built its own universe.

9m lifting height with 50KG dmx winch motor kinetic lighting , developed over 3 years by GINYU KINETIC ART WORKSHOP team, this patented stage automation solution redefines precision and safety:

Unmatched Safety: 300kg+ static load capacity | 670N·m lifting torque

Dual mechanical brakes + slack rope protection

TEAMWORK anti-collision protocol | E-STOP handheld remote for instant braking

50KG DMX Winch Kinetic lighting with Smart Multi-Function Control

⚡ Dual-Hook, Dual-Cable Design:

Wire 1: 220V Power Supply

Wire 2: DMX/RJ45 Signal Transmission

⚡ 50KG Payload Capacity – Perfect for LED screens & stage lights

⚡ Real-Time Responsiveness – No latency, no frame drops, ensuring smooth mid-air screen movements

⚡ Unified Signal Control – Auto-adaptive RJ45/DMX, addressing via a single console network cable

Why choose VDF_T20TC dmx motor?

✅ Flawless Synchronization – Ice Screens move like they’re ground-fixed, with zero delay

✅ Plug-and-Play Setup – Simplified cabling, faster deployment

✅ Ideal for Dynamic Stages – Concerts, theaters, exhibitions, and more

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